Articles – 2003

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The articles below have been selected by millinery.info staff, but millinery.info is not responsible for the content and availability of the articles.

Headline: A milliner's magiclink to article   (with photos millinery photos)
Publication: The Age
Location: Australia
Date: 25 August 2003
First paragraph: "Celebrating his 20th year in business, iconic Melbourne milliner Peter Jago reveals there is more to hats than fashion."


Headline: Hats off to fashionlink to article   (with photos millinery photos)
Publication: JournalLive
Location: United Kingdom
Date: 16 June 2003
First paragraph: "In 1732 millinery was so important to England that The Hat Act was passed to restrict manufacturing in the colonies to protect and favour the industry here."


Headline: Never old hat for a timeless tradeswomanlink to article   (with photo millinery photo)
Publication: Sydney Morning Herald
Location: Australia
Date: 6 June 2003
First paragraph: "She's dressed the heads of thespians, opera singers, race-goers, brides, Mardi Gras paraders and a Wiggles' mother."


Headline: Most popular man in fashionlink to article   (with photo millinery photo)
Publication: The Age
Location: Australia
Date: 26 May 2003
First paragraph: "Beloved by stars and supermodels, milliner Philip Treacy's head-turning designs are coming to Sydney."


Headline: Milliner's muselink to article   (with photos millinery photos)
Publication: ABC
Location: Australia
Date: 24 April 2003
First paragraph: "Eccentric British style icon Isabella Blow has helped make Irish milliner Philip Treacy a household name by stepping out in his outrageous hats for more than a decade. Julie Copeland spoke to him about an exhibition at Melbourne's RMIT Gallery that explores his relationship with his muse."


Headline: The woman who mistook her life for a hatlink to article
Publication: The Age
Location: Australia
Date: 22 July 2002
First paragraph: "You hear her before you see her. She has an unmistakable voice – loud and distinctly English. And then she appears, at the top of the stairs in the small Georgian hatter's cottage she shares with her husband, Detmar, and whichever friends are in town at the time. Isabella Blow has not had much sleep. She got to bed late because she was finalising the catalogue for an exhibition of her collection of Philip Treacy hats. And she doesn't look like the sort of woman for whom sleep comes easily at the best of times. But there she is, at the top of the stairs, dressed in a severe black trouser suit and wearing a simple little bun of a hat with a single feather curling off in an attempt to take flight."


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